![]() Instead, it’s right there in the middle, which has proved fruitful terrain over the last 28 years to nurture a dedicated fanbase ready to trumpet praise for the fascinating ways it stands apart. ![]() ![]() Although the theatrical release is perhaps too narratively disjointed and tonally dissonant to qualify as “good” (at times it’s almost like a Funny or Die parody of a “serious” attempt at Mario and company), it so proudly brandishes its bonkers, go-for-broke aesthetic (I mean, how can you not love Dennis Hopper playing King Koopa?), one hesitates to label it entirely “bad” either.
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